preface

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    Dai Ronghua, a favorit student of mine, impresses me with his gentleman manner and his easy demeanor as a great artist. He has an aminable disposition and always shows warm hospitality to his friends and visitors, although he appears a bit scholarly reserved. His paintings, either paper paintings or pottery and porcelain paintings, are all meticulous works with originality, freshness, and tranquility, By the unique charm in his art, Dal has brought to us and he circle of art a world of warm coclors and brilliant lusters. His works are all embodiments of his true emotion, his vivid imagination, and his artistic interest. In face of his works, you feel as if you were bathed in life-giving spring breeze.
   For almost forty years Dai Ronghua has been working in Pottery and  Porcelain Research Insitute of China Light Industry Ministry, ever since he graduated from Jingdezhen Pottery and Porcelain Institute in 1959. Special graduated from Jingdezhen Pottery and porcelain, Dai devotes every day and night , every spring and autumn of the forty years to his research and exploring. As a student under direct instruction by the great master of painted potery Proffessor Dong Maofa, Dai becomes a true follower of traditional Chinese art. For a deeper understanding of the Pottery and Porcelain Museum, the Museum in Forbidden City, where he emulated and copied the original masterpieces and explored the root of Chinese art, Meanwhile, he turns to the reality of life and the natural world for his footprints, and he relaxes and pleases himself in such travellings that broaden his mind and give nourishment to his brush. He paints flowers and birds; he is well versed in traditional Chinese painting of beautiful women and innocent children. In decorating the pottery and the porcelain, he is good at painted-pottery. With his unconventional skills and unique designs, he ranks with the countable eminent masters in the field of pottery and porcelain in China. Dai has now distinguished himself with his versality and colourful style.
   Dai has gone throuth, from his youth to his aged years, forty fruitful years. Pottery and Porcelain Research Institute, where Dai works, has a strong academic aura for artistic creation, under which Dai Ronghua sincerely explores and firmly seeks innovative skills to perfect every piece of work he creats. His masterpieces are mow well-known throuthout the world and most of them are now collected by galleries, pottery and porcelain museums and private collectors. The perfet art and craft of his works add to the beauty and grandeur of every gallery, museum and house. An old Chinese saying goes that a man of thirty establishes himself in society, a man of forty never confuses, a man of thirty establishes himself in society, a man of forty never confuses, a man of fifty knows his fate, and a man of sixty......Now, Dai Ronghua, as a man of sixty, has entered his productive period of maturity. This collection of sixty pieces of his masterpieces is a representation of his artistic accomplishment during this mature productive period.
    Some works in this collection are enlivened by the buterfly orchid dancing in the wind, accompanied by the butterflies gracefully dancing nearby.Some works are decorated with peony in full blossom, and fluttering up and down among the peonies are beartiful butterflies and bees;some will show a pond full of lotus om the transparent water and fish swimming slowly and idly here and there. All these wil bring you to a world of art steeped in brightness, tranquility and delightfulness. Soft colours and delicate lines of the images present a moving realm before any visitors. These works show the author's deep love for the mature. There are vases decorated with lotus and mandarin duck, vase cecorated with butterflies fluttering among crabapples, and screen decorated with blooming spring. It was from antique painted pottery that Dai Ronghua started his artistic carreer; and then he develops this art in all aspects by absorbing from various merits of other experts. Finally, he establishes himself as a prolific artist of profound knowledge and unique crafs.
    Of all the traditional Chinese paintings and porcelain paintings by Daironghua, the most distinguished ones are his painting of ancient Chinese women are characterized by their slenderness and tendermess as well as their beauty and purity. Woman under his brush is presented either as one deep in love or one playing with butterflies and fireflies, either one gathering lotus and water chusnut or one looking far into the distance, deep in meditation. He has painted, for any times, not only the Four Beauty of ancient Chinese women but also the famous heroines in Chinese history. He drawes his subjucts from folk stories, autobiographies, legends, poetry and history. Characters of traditional Chinese women are christalized in his mind and he shapes them into the personification of purity and nobleness. The many fair maidens under his brush are so beautiful that their beauty would obscure the moon and make flowers blush . This beauty may well be an offspring of Dai Ronghua, who is himself a gentle and cultivated man.
    While Dai's painting of traditional Chinese women follows the pattern of traditional art, it also has its own innovations. His works have reached a perfect harmonious realm by their proper lines, well-arranged gradation of colours and strong garnishing effects of features and objects."Red Bean" is a perfect combination of tradition and innovation. A table, a jar, a bowl, several granules of red beans and a dark-coloured carpet are all well-arranged in the picture, forming a sharp contrast between lightness and heaviness. By the left in the middle, several obscure distant pictures are set as background; on he upper right are inscribed with a poem and the author's signature. The whole painting is neatly and clearly finished. A close analysis will tell that not a single lines in proper places, with every touch carefully and meticulously placed. Dai,like all great artists in the past and at present, is always considerate and discreet in his paintings.
   The paintings of innocent children by Dai Ronghua are also well-done. Childrens are pictured as srong, healthy, worriless, energetic, curious and full of hope and dream. Childhood is the golden age of all living things, it is also the golden age of human being. As onge grows old, he will always recall those happy days in his childhood. Many writers, artists and poets have written brilliant masterpieces reminiscent of their own beautiful childhood. Qi Baishi, the most famous moden artist in China, left with us man paintings about flowers an plants, insects and fishes such as "The Other Day When Greeting","All Small Fish Coming" and "Herding Cow with Bells", all of which are the reflection of his own innocence and play fullness in his childhood. In his works, Dai Ronghua directly sketches the images of children to show his rememberance of those happy days . His paintings of innoce children take various forms:children catching a cricket, children pulling the tail of a cat, children playing hide-and -seek, children catching a cricket, children pulling the tail of a cat , children playing hide -and -seek, children shispering to each other, children riding bamboo horses, children holding a lantern in festival, children igniting a firecrack, and children playing with chickens, etc. Dai's paintings of the natural world are also colourful:the rise of the sun and the moon, the up and down of clouds fluttering bees and dancing butterflies growing grass and flying orioles, blooming flowers and heavy fruits, singing frog at night and swimming fish underneath the water,ants at fight and cicadas long chanting, while children are all curious and puzzled. Dai has brought to life the cheerful mood of innocent children. In fact, what he brushes is none other than himself and his little companions in the childhood.
    The images of the children he has created are all lovely:children with big heads and little bodies, which are typical of the childhood of all animals with delicate feature, little nose and small mouth,every little one is charmingly naive, deeply ofsessed in his or her own world.
    Dai's works are really cute, because Dai has exactly entered the mind of the people he paints. Not only are the little children lovely, but also are the little cats, dogs, chickens, ducks, little lions and tigers. Even a little pigtail of the little one is delightful and pleasing. Such a fascination his works possess that they are sure to remain valuable and endurable.
    In his works, Dai is good at contrasting lightness and heaviness, density and perfectly arranged.
   Paintings, either traditional Chinese painting or oil painting, pasted painting or woodcutting or porcelain painting, all draw their nourishments from the painters' own personal experience. There is a principle concerning the writing of poetry: "Words with meaning completely exposed are far from truely poetic. Poetic words should be half -hidden in expression. The words and images should reach beyond the surface and leave a lasting aftertaste."This poetic principle may well be applies to Dai Ronghua's success in porcelain painting.  
      
                                      Zhang Zhian
                   Jan.18,1997,South of Jiangsu Province
          Vice Director of Jiangsu Pottery and Porelain art
           Association
               Honoured President of Jingdezhen Art Academy
          President of China Golden Autumn PEN Association    of Famous Paiters and Calligraphers
 

 
 

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